Thursday 17 March 2016

Module Evaluation - OUGD502

For my end of module evaluation I believe this brief was the most engaging, fun and the most beneficial and rewarding. This module was about engaging with the world now that we are graphic designers. John Watters has pushed me very far since my PPP last year and I believe this module has benefited me the most. I wasn’t very confident in myself and my work. This module has taught me to come out of the dark and showcase my work. I wasn’t comfortable to show my work to clients or even to my tutors because I didn’t want to be judged however, I was very wrong. Now that I show my work to tutors I can get more feedback and more critical evaluation.

What I enjoyed the most throughout the module was working as a team and doing the right amount of research to start our own company. Moguh is something that we created as a group. Moguh was very important for me because it drove me further and I really wanted to achieve something from starting our own business. After working collaboratively throughout the module we learnt a lot about ourselves and what we want to achieve together. We have spoken about this and this is something that we aim to revisit in the future. Another factor that I have enjoyed this year was looking more in depth at design studios and designers in general. As you progress from level 4 to level 5 you gain more of an understanding as to why some designers have made it that far and its really inspiration to hear.

Speaking about inspiration, I went to a talk on the 9th March to see designers from ‘JustUsTwo’ and ‘HappyEnding’ which are two very successful design studios. It was amazing to speak to the speakers after and just learn about them and how they relate back to me in certain aspects.  Having speakers come in and speak about themselves is very interesting and very inspiration and this has driven me further. By listening to someone you can relate very easily and it can help you mentally get going.

Last year I was very lazy with PPP and did my designs close to the module hand in. This year PPP felt like less of a chore but something that is enjoyable and fun to look forward to. I believe my work has improved loads since last year as well as my final presentation. My presentation about myself was something that I really wasn’t looking forward to. However, after revising it enough times and speaking to tutors I felt much more comfortable and wasn’t as anxious as I have been in the past. I also timed myself to 8minutes 41 seconds which was within the 7-10minute mark therefore, I am controlling my tempo a lot better than last year which was over 10 minutes. I can see myself slowly moving forward and presenting feeling anxious or nervous inside.  I have on the other hand learnt a lot about myself and who I am as a designer. My self promotion work throughout my presentation shows that I am starting to get a style within design and I hope to use this style with my clients now and in the foreseeable future.

To conclude, I am content with my work and how I have progressed from level 4 to level 5. PPP is a module that I have always enjoyed and can’t really say that I have faltered much on this module. This is a module about yourself and this module has made me learn a lot about myself and the design world that we live in. In the future I hope to experiment more with the printing methods on my business cards as well as exploring more about myself as the year progresses.




Why Not Associate Studio


Why Not Associates is a British studio that focuses on commercial clients, they focus on a corporate indentity, digital design, motion, editorials, publishing, environmental design and many more. What I like about their website is that the main is just some signs that shows that they focus environmental design. They have worked for clients such as Nike, First Direct, Virgin and many more. They say that they are very personal with clients and make sure the client gets what they came in for. 
What I like about this studio is that they are not afraid to run through a dark room with an arm full of lighted fireworks just to get to their final outcome. An amazing quote that they said is 'Fingers grow back, and great work lasts forever'. A lot of clients love how experimental they are and this moto makes the clients come back to them. 
Although I like their edgy website and their experimentation I am finding it hard to use the website as when I scroll the page to the right the page keeps coming back to the home page. Therefore I am only able to see some of their work and not all of it and this wouldn't be very helpful when looking back at their work. 

Creative Report Part 1

I listened to the interview over and over and this is what I got back from my creative report. Enjoy. 


­Bloodbrother interview

Daniel Carter: How did Bloodbrother come about?

BloodBrother: Bloodbrother is in existence because James and I (Nic Biela) were lucky enough to go college together and with myself doing design and James doing Fashion management as a background we decided to come together to create a brand eventually when we left the industry. So it’s good.


Daniel Carter: What is your moto behind Bloodbrother

Bloodbrother:  The strapline is never alone. A statement which means as a collective moving forward and doing things together to achieve your goal and doing it as a team. I think this came from playing football together at university.

Daniel Carter: So it’s about teamwork?

Bloodbrother: Togetherness and teamwork. It’s exactly what it stands for and I think that’s something that we are proud to state as a brand that others don’t necessarily tap on about. We would’nt be able to do it without each other.


Daniel Carter: You both went to the University of Arts together, is that you met? Is that how your started your foundation?

Bloodbrother: We met through playing sport through university.  The course is not intergrated so its either you’re a creative or a business, so its through playing sport a more personal, social and gatherings that we became friends but yeah it definitely helped balance the business and the creativity come together. That’s what the fashion business is now, its not just creativity or business it’s a combination of both.  It’s 360 of a host of different things and well actually find each other through a team sport and it was really good to meet each other through a cultured interest aside of business or fashion that was tangible towards money and have a shared interested and passion, the bond came from there and and has served us very well and likewise to a lot of friends that we have to today hence why we have this meeting and a catch up.
              

Daniel Carter: Has Bloodbrother evolved?

Bloodbrother: Definitely evolved. Massively, we stocked t-shirts onto jerseys onto collection onto footwear onto candles, lifestyle. In terms of business we definetely have evolved.



Daniel Carter: Did you think you would get this far, was this a goal you had at the start?

I think you need to aim up and high and sometimes you can’t see quite clearly the destination but you know your decretory. You understand that you’re pushing and really want to achieve something, but it would be quite difficult to find a sensible goal which will justify your ambition. We are just very ambitious people. We set a big goal and then you have mini goals which are tick boxes but we always wanted to be global brand and that where we are going. The good thing is that you set small goals to achieve the big goals and that’s the key for another. Once you realise your ambition and find your space you can reset your targets and that’s really important to keep pushing, developing, learning and the best way to succeed is to learn a hell of a lot of mistakes because then you learn how to get to the right places.


Daniel Carter: How would you describe your fashion.

Bloodbrother: It’s a mix pot Bloodbrother, its very much contemporary, slick, minimalist and up to date menswear but it also has a lot of communication through its graphics and wants to reach people and talk to people in a different way whether its through colour palette, graphic print or whether its texture that we try to play with alongside fitting in with the menswear contemporary wardrobe that we feel we do execute very well. Were very utilitarian so inspirations often lie in military and masculine British subject art.


Daniel Carter: What sparked your interest in fashion.

Bloodbrother: (James Waller) Mum was a Saturday job worker and I got into clothes already and my cousin always dressed really well so I always had an interest in clothes even before I went to college.
Coming from a smaller town its easy to get pushed into dressing very much the same like other guys and I always felt interested in standing out and being different. It’s always nice to have something more exclusive and less general so for me it was about standing out to a certain extent from normal guys who want to do normal things. I personally prefer difference and extraordinary as apposed to ordinary. We are both very similar is terms of that.


Daniel Carter:  Do you have any long term goals in 5, 10 years or even further than that?

Bloodbrother: Constantly under construction but there are definitely personal issues as well as personal rewards from the business and the things we want to achieve. I think make some more shots, fragrances, underwear, bigger offices and enforcing the brand so we are doing the right thing to reach the right target audience. Bloodbrother is something to us but it should be more about the people who don’t know about it. So its clear to us there’s a lot of work to be done with marketing and reaching the right target demographic. Its quite interesting now that we have this product and we have something that we are very proud of so now its time to talk about it. Not to say that we were never proud but we are now much more complete with shoes, jackets, leathers, nice shirts, trousers, wallets and bags and we feel much more appropriate to go and discuss a whole entity of ideas to people because we feel very set in where we are so now its about talking about and multiplying as a business.



Daniel Carter: What did you learn whilst being in the university of arts that has benefitted you the most.

Bloodbrother: Being in the university of arts has benefited the most by socialing and relationships and we will leave it there.


Daniel Carter: How do you/did you handle stress

Bloodbrother:  (Nic Beila) You can really find out who you are with that with that kind of pressure. We find out who you are and what you want to do and how you respond to it and its an important factor of anything without stress you wouldn’t achieve anything.
I’m driven by stress. Stress and worry drives my hunger. Everyone is different some people can break. It’s a fight for me. Its either fight or don’t. Its not healthy and I wouldn’t recommend it but I’ve balanced that. When it was initially just us 2 I’m not favouring this and its either you have that character or don’t. Sometimes business failed through extenuating circumstances but generally not through guts and determination.


Daniel Carter: What is your most memorable challenge.

Bloodbrother: Finding the factories and things. We both had our jobs and we had to go to factories to make the stuff that we promised to show them at the next show. The things that we couldn’t do like the logistics, the things that were out of our control. So if everyone had control we could rely on each other for because that was the agreement that we had.  I guaranteed that I could get some sells to service him and he guaranteed that he could get some products out to show the buyers.  But getting the products out from the factory was pretty daunting but a good achievement. Certainly memorable, a fond memory to look back on a fear / excitement its what you get out of bed for. It was definitely a period of time that I look back on.


Daniel Carter: What have you learnt the most since starting Bloodbrother.

Bloodbrother: Patience. Nothing is in everybody’s control regardless of how well you think it is. You kind of have to have the ambience that a lot of things are out of control but you can manage as much as you can but sometimes for good or bad its impossible to control. You have to have that thing when you go to bed and appreciate that things just are.
It’s a combination of skills. You cant build a brand on one set of skills, you cant  just be the best sales person or the best designer it’s a combination of each skills.


Daniel Carter: What advice would you give to young designers.

Bloodbrother: Its what they are putting out there. Consider a harsh reality and don’t sacrifice personal goals if they want to do stuff. Shoot to the stars but appreciate who built the product. You can do whatever you like as long as you have some sort of consistency with what you are producing and that you have a customer at the end of the day and to have that that’s the most important thing in design.


Daniel Carter:  In 10 years I hope to start a label like Bloodbrother, is there any advice that you could give to me or to anyone else.

Bloodbrother: Come see me when you want to do it. It’s a lot about relationships and opportunity is massive and putting yourself out there at certain times. Everyone in this office has worked for free at some point but the advice would be to get experience and stick at it. Have that focus to see someone through and say your going to do it, do it, tell us your going to do it and do it. Once your there you go now I’ve done it what’s the next thing as I’ve said mini goals to big goals.

Daniel Carter: Thank you very much



Creative Report Part 2

Creative report with Bonnie Kate - www.bonniekatewolf.com/portfolio.html

1. Who is your biggest influence towards design and why?
I think it would have to be Eduardo Recife, a Brazilian collage artist. I discovered his work in high school and it inspired all my early work. Without him, I wouldn't have developed my taste or standards.

2. I personally am not always comfortable with myself. Have you always been confident and if not how did you get over it?
I grew into myself throughout university. I found that doing the work I was interested in was more important than trying to please any tutor or peer. This I realised I could apply to my personal life. I now spend time with people who like me the way I like myself. Those are the people you want around you and those people will help you blossom and grow.

3.  I personally love working with a team/group. Can you describe the most collaborative creative brief you’ve worked on and how it benefited you. 
My favourite group brief was one for JLL (Jones Lang LaSalle). We created a news app and website as well as a film. Even though my team was made up of people from different sectors, we were able to create interesting ideas and form a creative outcome that I am very proud of. (it's on my portfolio website, project titled 'the pulse')


4. Can you walk me through one of your favourite projects given to you by your university/client. 
My favourite brief was one that I hated at first! We had to design a poster that explained what our life would be like in 5 years time. I thought it was SUPER CHEESY, but then as I started working on it, I realised it was a great opportunity to show the world who I want to be. I created a poster titled '24 hours as graphic designer' (also on the portfolio for reference) which ended up brilliantly mixing my illustration, design, and typography skills. To this day, it's probably still my favourite piece of work.

5. How do you stay on top of current design trends?
I'm always online. I spend a lot of time on pinterest and instagram. More importantly maybe, I read design books. Lots of them. I surf a generous number of artist's websites. To be honest though, I'm not super into trends. I prefer to do what appeals to me and then apply my knowledge of the world around me to know that I'm current.

6. Other than Graphic design/Illustration what is your favourite hobby/activity? 
I am HUGE into fibre arts: knitting, crochet, and spinning yarn. Also ceramics. Hard to pick between them. I love craft in general. I find making things with my hands calms me tremendously and gives me purpose at the same time.

7. Working with certain clients can be frustrating. How do you manage a 'tough' client?
Yes they can be. I find that getting very specific information helps. If they explain something that makes very little sense, I try to ask them back if that's actually what they want in more specific language so they can see where their communication is breaking down. When the client doesn't understand good design, I try to push them for a bit, but in the end, they are paying so they get the final say. Most of the time, I'm able to help them reach a positive place for both of us, but sometimes they just like your least favourite designs and you have to accept that.

8. What design mistake have you done in the past that has benefited you in the future? 
I can't exactly pinpoint that moment where a 'good mistake' occurred, but I am aware that, especially in my personal work (mostly textiles and ceramics) the points where something went wrong (eg. a colour didn't turn out as I expected in a glaze or a quilt had some strange unexpected shapes in the panels) usually end up being the most interesting part of the design. I think that the future of design involves a lot of 'wrong design' and that we are going to embrace the notion that perfect isn't perfect. We are going to want things to feel touched and manipulated and messy. We're so bored by computerised symmetry. The future of design is to accept those flaws and mistakes and embrace them the way we embraced the impressionists in art, those who saw things a little differently.  

FutureRising talk

FutureRising - FutureRising.com/CareersGuide

Matching the best jobs in the creative industry.
Answers any tricky questions.
Great for inspiration and self promotion
Internships, full time placement for jobs.

It’s a chance to
-       - Showcase your work
-       - Be interviewed
-      -  Become an ambassador
-       - Write your own content

CV tips
- 1 page only
- 10 second rule
- State your ambition up top
- Only relevant experience
- No picture or images
- Always send in PDF format
- Considered creative design
- Proof read lots and print It off
- Get someone else to give you feedback
- Keep updating when in a job.

Creative team and portfolio tips
-      -  Find a partner you believe in and trust
-      -  3-5 bits max
-      -  Quality > Quantity
-      -  Use a mix of brief (not all D&AD)
-      -  Get your work online
-      -  Focus your search
-      -  Present your book with stories 
-      -  Never settle, always update
-      -  Follow your instinct as its your career.
 Self Promotion

-       Google yourself
-       Your own website?
-       Keep your profiles up to date
-       Start writing
-       Work on briefs
-       Go to events/meetups
-       Start building connections
-       Work on projects
-       Always be bulding your brand
-       Get mentors
-       Keep ontop of Linkedin

Use online / social media to be cheeky and smart. There is so much online to make use of so it should be easy.


Jack Hone
Product Designer
Ustwo

Write everything down on a sketchpad.
Send out emails to companies that you want to work for.


Ricky Richards
Creative Director
RickyRichards.com

-       Embrace life
-       Look for leverage
o   Use the media to your advantage
-       Everyday Alchemy
-       Have no shame
-       Observe
o   Everyday situations are dull and boring but if you observe you can find something that you can do.
-       Question people
o   Questions need to be answered
-       Occasionally ideas evolve

- passion and dedication
- Read books for what you want to become
- Be Enthusiastic and desire to share



Go for the people that can make it happen. Use it to your advantage.